Monday, July 14, 2008

Michigan Memories: Alma Mater, Playhouse, Faierie Doors, and Scholars

Magical! That's what it was like to return to Michigan with my very cute husband and sometimes co-author Greg Leitich Smith for a few days earlier this month.

Our primary mission was to visit Linda Pavonetti and Jim Cipielewski's class, "The Author's and Illustrator's Art and Craft," at Oakland University in Rochester, Michigan. (More on that shortly).

We decided to fly up a couple of days early to visit Ann Arbor, home of our alma mater, The University of Michigan Law School, where we first met as 1L students in 1991.

We took an uneventful Northwest flight to Detroit, during which I read most of debut author Maggie Stiefvater's upcoming Lament: The Faerie Queen's Deception (Flux, 2008).

Despite my head-over-toes joy over being back "home" in Michigan, the story was a constant lure for my attention, and I finished it not long after arriving. Here's the blurb I sent to Andrew Karre (editor interview) at Flux: "Chock-full of the fierce and the fey, Maggie Stiefvater's Lament is musical, magical, and practically radiating romance. A blood-fresh reinvention of old traditions, perfect for engaging sharp minds and poetic hearts."

We arrived just after noon at Detroit Metro Airport, which was much spiffier than I remembered, and I found myself vaguely enchanted by the light display--complete with New Age-y, sort of spa music--along the walkway.


After a short stop at Hertz, we were crusing to Ann Arbor. In no time, our bags were checked in at the Campus Inn, which has an excellent restaurant and is within short walking distance to the student union.


From there, we walked to lunch at one of our old haunts, the Red Hawk Bar and Grill on State Street. It was just as good as we remembered, and I highly recommend the chef's salad (black forest ham, smoked turkey breast, bacon, hard-cooked egg, tomato, red onion and cheddar on romaine with honey mustard vinaigrette).

After lunch, we continued on to the law school quad. You know how usually when you return to a school, it doesn't look as impressive as you recall? That was definitely not the case here. By the way, our law school classmates include fellow YA author Niki Burnham.





The classroom doors were all locked, and the reading room (immediately below) fixtures were undergoing renovation, but we still enjoyed strolling the halls and remembering when.




That evening, we drove to author Shutta Crum's (author interview) farm, which is just outside the city. Visiting Shutta's place is like walking into the pages of a storybook--the quilts, the color, the quiet pond and brown barn...the deer, the fruit trees, the rows of grapes.



After a yummy salad and vegetarian lasagna (must ask for recipe!) with Shutta and her husband Gerry, we retired to the wood-floor garage-turned-playhouse to visit with a few of her pals from the local youth literature community.

The sparkling guests included: author Jacqui Robbins; author-illustrator Tracy Gallup (who was kind enough to give us autographed copies of her "A Crazy Little Series" (Mackinac Island Press)); author Ann Purmell (with whom I had an excellent discussion about books that reflect kids who work per her Apple Cider Making Days, illustrated by Joanne Fair (Millbrook, 2002)); Ann Arbor District Library children's librarian Ieva Bates; and Borders bookseller Ruta Drummond (the latter two, pictured last, are sisters--is that a book family or what?). We also enjoyed the great company of Tracy's husband Doug and Ann's husband Bruce!

Thanks again, Shutta and Gerry!




The next day we went shopping (note: this is not the proper name of the law school, but we bought the shirt anyway because of the shark).

Did you know that Borders started in Ann Arbor?

And we visited one of Ann Arbor's famed faerie doors, which we had learned about from Shutta the night before. If you're heading that way, here's a list of all the doors (with photos) and a nifty tour map.

Check out this related story from NPR; peek: "All across the city, 'fairy doors' are popping up. The miniature openings into imagined fairy homes are unsponsored, unauthorized works of public art that have captured the imagination of the city." Below is a shot of The Peaceable Kingdom and its faerie door on South Main. How sweet is that?


On a more personal note, we also enjoyed lunch at Cafe Felix (the Tabla Mixta--proscuitto, melon, strawberries, baked brie), visited The Natural History Museum, and stopped by The Arcadian in Nickels Arcade, which is where we bought my engagement ring in 1993.




Then we were off for Oakland University! We stayed at the nearby historic and award-winning Cobblestone Manor, a place of sumptuous breakfasts, gorgeous gardens, and grand cheer.


Later, professors Linda Pavonetti and Jim Cipielewski showed us around Oakland U.'s vast and beautiful campus, including Meadowbrook Hall, and then treated us to a wonderful dinner at Kruse and Muer (shrimp and chicken penne).



The next morning, Greg gave an hour-long presentation--centered in part on the importance and process of writing humor for young readers--and then fielded a 45-minute question-and-answer session from the students, followed by a signing.

On a side note, Linda is the president of the United States Board on Books for Young People. More on that soon!



That evening, after a beer-battered fish-and-chips dinner, Jim and Linda treated us to a local treasure--Cook's Dairy Farm! The setting was as delightful as the iced cream was delicious. I ordered the classic chocolate, and Greg ordered the cookie dough. Both were wonderful, though I did end up stealing more than one bite of his.



The next day, it was my turn to speak. It's probably the broadest talk I've ever given as my audience's areas of interest spanned from early elementary through young adult. I spent time on Native youth literature with an eye toward related trade books in the classroom. But I also touched on my own upper-age level titles, including Tantalize (Candlewick, 2007, 2008), and read a very short excerpt from Eternal (Candlewick, 2009).

Jim was spectacular with the supporting AV equipment, and the students' questions were insightful. It was a bright, thoughtful class, and I particularly enjoyed visiting informally with them at the signing after my presentation.

Afterward, on our tour of the education school, I happened to ask whether the library had a Native youth literature collection and was wowed by the responding interest and enthusiasm. It meant a great deal to me and lingers in my thoughts.

I also had a great time both days at lunches--one chicken soup and a chicken-salad sandwich, the other spicy, stir-fried chicken and vegetable (Thai food). I forgot to ask if it was okay to mention our companions (some of whom also chauffeured us around) by name, so I won't, but thanks to all (and to the prospective YA writer in the group, go for it)!

Greg and I decided to stay one more night at the bed-and-breakfast, and this afforded us an opportunity to meet the next incoming speaker, Marie-Louise Gay.

What an unexpected and amazing treat it was to chat with her, study her books, and ask questions about her process! She was tremendously gracious in taking the time to visit with us.

That night, we dined at Bistro Bourdeau, and then, the next morning, it was time to return to Austin! The journey home was longer than expected--one of those three-hour flights that turns into seven, much of it spent sitting in the plane on the runway. But that gave me an opportunity to finish Suddenly Supernatural: School Spirit by Elizabeth Cody Kimmel (Little Brown, 2008) and The Life and Crimes of Bernetta Wallflower by Lisa Graff (HarperCollins, 2008), both of which were terrific reads!

Memo to children's-YA book creators: if Linda and Jim ever invite you to speak at Oakland University, go!

Memo to Linda and Jim: thanks!

See Greg's report!

Tantalize Available from Walker Books Australia and New Zealand; Giveaway

Tantalize by Cynthia Leitich Smith is now available in hardcover for order from Walker Books Australia and New Zealand! See the publisher listing. It looks like the paperback edition will be available from the company in 2009.

To celebrate, I'm going to give away a signed hardback copy to one Cynsational YA reader from Australia or New Zealand! Note: please feel free to forward this news to anyone who might be interested-eligible!

To enter the giveaway, email me (scroll for address) with your name and snail/street mail address by midnight CST July 22! Note: if you have already entered the ongoing Tantalize Paperback, Eternal Excerpt, Sanguini's Giveaway in celebration of the U.S. paperback release, you don't have to send another email. Your existing entry will count for both giveaway programs!

Spooky Notes

The novel also is available in hardcover from Candlewick Press in the U.S., and likewise will be available in paperback here from Candlewick Press as of July 22. In addition, it's available here on audio from Listening Library and coming this fall from Walker U.K. The announcement of more editions is pending.

Friday, July 11, 2008

Tantalize Paperback, Eternal Excerpt, Sanguini's T-shirt Giveaway (New Designs)

Tantalize by Cynthia Leitich Smith (Candlewick, 2007, 2008)(Listening Library, 2008)(audio sample) goes on sale in paperback in the U.S. July 22!

The end papers of the novel include an excerpt of Eternal (Candlewick, 2008), which is the second book in the universe. Eternal features different main characters. The excerpt is told from the first person POV of the female lead. There also is an alternating first person POV male lead, who doesn't appear in those pages. Note: more stories in the universe are in the works, including stories featuring Tantalize characters.

To celebrate, I'm giving away three signed copies of Tantalize in paperback, each with a Sanguini's T-shirt of the winner's choice! Note: Sanguini's is the fictional vampire-themed restaurant in the novel.

In addition to the popular Sanguini's logo shirts, graphic design genius Gene Brenek has created the all-new "I 'heart' Baby Squirrel" shirt; the "Cell Phones Will Be Eaten" shirt; the "Drop In for a Late Night Bite" shirt; and both a birds-theme and a dragon-theme "predator or prey" shirt. See below; click for larger views. Note: I don't make any money off the sale of the tie-in shirts.

To enter the Tantalize paperback and Sanguini's T-shirt giveaway, email me (scroll for address) with your name, snail/street mail address, and preferred T-shirt design by midnight CST July 22! Please also type "Tantalize Paperback and Sanguini's T-shirt" in the subject line.

One prize will be awarded to a YA teacher or librarian (please specify school/library with entry; university professors are eligible) and two prizes will be awarded to any Cynsations YA readers.

Additional Sanguini's T-shirts of the winners' choice will be awarded to a member of Tantalize Fans Unite! at MySpace and to any YA bookseller.

To enter the Sanguini's T-shirt (only) giveaway, email me (scroll for address) with your name, snail/street mail address, and preferred T-shirt design by midnight CST July 22! If you are a member of TFU! please indicate that, and if you are a bookseller, please specify your bookstore. Please also type "Sanguini's T-shirt" in the subject line.

From the promotional copy:

"Quincie Morris has never felt more alone. Her hybrid-werewolf first love threatens to embark on a rite of passage that will separate them forever. And just as she and her uncle are about to debut Austin's red hot vampire-themed restaurant, a brutal murder leaves them scrambling for a chef.

"Can Quincie transform the new hire into a culinary dark lord before opening night? Will Henry Johnson be able to wow the crowd in fake fangs, a cheap cape, and red contact lenses? Or is there more to this earnest fresh face than meets the eye?

"As human and preternatural forces clash, a deadly love triangle forms and the line between predator and prey begins to blur. Who's playing whom? And how long can Quincie play along before she loses everything? "

"If Joan Bauer took a crack at dark fantasy, the result would...be something like this gothic-horror comedy." --Booklist

"Smith adds a light touch of humor to the soup, but the main course is a dark romance with all the gory trimmings." --The Horn Book

"Quincie must make a terrifying choice...that will have...readers weeping with both lust and sorrow." --Kirkus Reviews

New Designs



See larger and logo!


See larger and logo!


See larger and logo!


See larger and logo!



See larger and logo! Note: my favorite of the new designs!

Cynsational Notes

Tantalize will be released by Walker U.K. this fall, and production is coming along nicely. I heard this week from the copy editor on a handful of minor Texan to U.K. language translations. The announcement of other foreign editions is pending.

Spooky News & Giveaways

A.M. Jenkins blog: "The reasons for this blog: 1. To provide basic author information (for students, teachers, librarians etc.), without me having to maintain a website. 2. I think out loud a lot as I work through writing projects, so I'm going to try dumping those thoughts here rather than on my friends." Read a Cynsations interview with A.M. Jenkins.

Moral Compasses from Eric Luper's Random Musings. Peek: "A moral compass seems like a fairly individual thing, as you note, that will change from character to character. Also, if all main characters had black-and-white morality rules to follow, we'd be without a lot of fantastic books." Read a Cynsations interview with Eric. Source: Editorial Ass.

Permanent Ink: Tattoos for Readers from Alison Morris from Shelftalker: A Children's Bookseller's Blog at Publishers Weekly.

Check out this book trailer for Dead Girl Walking (Flux, September 2008)(excerpt), the first novel in a new paranormal series by Linda Joy Singleton! Read a Cynsations interview with LJS!



More Personally


Congratulations to the Austin Public Library's Bibliofiles book cart drill team on its second place finish at ALA! Here's another look at their Texas win!



Awesome Austin Writers Roll Up Their T-shirt Sleeves by Mark G. Mitchell at How to be a Children's Book Illustrator. Peek: "Like the other dazed and AAWW'ed patients after their operations, I got my copies back scribbled with thoughts, kudos, suggestions for fixes, often accompanied by typed notes. We clutched our precious stacks like they were our medical charts, and we were on our gurneys in the recovery room." Read a Cynsations interview with Mark.

This and That by Lindsey Lane: a new blog from the author of Snuggle Mountain (Clarion, 2003). See Lindsey's report on the recent Awesome Austin Writers Workshop; peek: "By the end of the three days, I was wrung out. But I was energized, thrilled and deeply grateful to be a part of this community. I mean, down-on-my-knees thrilled and grateful." Read a Cynsations interview with Lindsey.

Learn more about the Awesome Austin Writers Workshop!

Attention: Tantalize fans! A teen YA reader known as "Miss Quincie" has started a brand new Tantalize Fan Forum. For those of you on MySpace, see also Tantalize Fans Unite!

Reminders

Here's a quick recap for those who may have missed the July 4 post!

Vladimir Tod's Best Nighttime Photo: win an iPod nano and great prizes from Heather Brewer's The Chronicles of Vladimir Todd at Sugarloot: Sweet Contests. Deadline: Aug. 11. Learn more here!

Are you a YA reader? Check out the bounty of giveaways at TeensReadToo!

"Create Your Own Future with Goals and Time Management" with P. J. Hoover from Austin SCBWI on July 19 at Barnes and Noble Westlake. P.J. is the debut author of The Emerald Tablet (Blooming Tree, Oct. 2008). The Emerald Tablet is the first book in her middle grade science-fiction trilogy, The Forgotten Worlds Books.

Author Claudia Gray is now fielding character interview questions! Peek: "What do I mean by that? You send in questions for Bianca, and she will answer. Although you're interviewing Bianca right after Evernight, when she has no idea what will happen in future books, feel free to ask her absolutely anything. I don't promise that she will answer every question asked, but we'll post a good interview with her here and on the website August 1." Learn more!

The Cynsations grand prize giveaways for July are two signed copies of Wake by Lisa McMann (Simon Pulse, 2008). To enter the giveaway, email me (scroll for address) with your name and snail/street mail address by 10 p.m. CST July 31! Please also type "Wake" in the subject line. Note: one autographed copy will be awarded to a YA public librarian (please specify library with entry) and one autographed copy will be awarded to any Cynsations YA reader.

And that's not all! Enter to win a copy of Black Pearls: A Faerie Strand by Louise Hawes (Houghton Mifflin, 2008)! Read a Cynsations interview with Louise. To enter the giveaway, email me (scroll for address) with your name and snail/street mail address by 10 p.m. CST July 14! Please also type "Black Pearls" in the subject line.

Thursday, July 03, 2008

Author Interview: Louise Hawes on Black Pearls: A Faerie Strand

Louise Hawes, a North Carolina resident, is the author of two short fiction collections, Anteaters Don't Dream and Other Stories (University Press of Mississippi, 2007) and Black Pearls: a Faerie Strand (Houghton Mifflin,2008). Her novels include The Vanishing Point (Houghton Mifflin, 2004), Rosey in the Present Tense (Walker, 2001), and Waiting for Christopher (Authors Guild, 2006). She is a faculty member of the Vermont College of Fine Arts MFA in Writing for Children and Young Adults program.

What were you like as a young adult?

Introverted, achingly self-conscious, and highly romantic. I was the theater-arts, lit-mag kid who ended up, inexplicably, going to the prom with the basketball star. I could barely breathe, much less say a word all night!

(We became good friends and bridge partners after graduation, but I certainly wasn't confident enough to keep up with him then.)

What is it about the young adult audience that appeals to you as a writer?

I never sit down to write and say to myself, "This is going to be a YA" or, "This one's for adults." I go where I need to go, take the emotional journey I need to take.

I've written lots of short stories (and a collection of them) for adults, but most of my work has been focused on the place where my personal issues still resonate -- adolescence.

As a writer, then, I'm drawn to protagonists who are teens, but I can honestly say I don't "write down" for a YA audience. My basic approach is the same for both adult and YA fiction, with the slight difference that I tend to want to empower younger readers. I hope my work helps them realize that, even without a happy ending, they've got the inner resources to deal with this beautiful, angry, blissful, destructive, and thoroughly confusing planet!

Could you tell us about your path to publication? Any sprints or stumbles along the way?

Years ago (honesty compels me to add it was more like decades ago!), I was working in New York City, directing a team of writers who composed sample reading passages for an SAT prep firm. At that time, I'd just completed a draft of my first middle-grade novel, inspired by my young son and daughter. I had also begun sending out a picture book manuscript and was particularly touched by an extremely flowery, verbose rejection letter I received from a well-known publisher. It was highly complimentary and expressed actual distress at "not being able to buy your beautiful, touching book."

One day, as I was reviewing the work of a new hire at the office, I recognized in the reading passage she'd submitted, the very same elaborate writing style that characterized my favorite rejection letter! I asked her if by any chance she'd ever worked for a publisher, and if she had ever had occasion to read a certain picture book submission.

She had! In fact, she told me, she'd been hired to write rejections to the slush pile, but couldn't bare not to encourage the authors of books that moved her.

"What's the slush pile?" I asked, dense and naive as they come. And that's when my publishing education began.

She explained that her house had a strict policy of not considering unsolicited manuscripts and that I really needed an agent.

"Agent?" I asked. (I was an endless font of dumb questions.)

"Yes," she replied, patiently, and proceeded to explain what this intermediary did.

Then and more important, she proceeded to get me one! My new agent didn't sign my picture book, but she did sign my novel, and that was my first publication. A fluke of the luckiest sort!

We last spoke in August 2005 about The Vanishing Point (Houghton Mifflin, 2005). Could you update us on your writing life since that time?

Thanks for asking, she said, fluttering her lashes and grinning to the ends of her face. The Vanishing Point was issued in paperback in 2007, and I adore the new cover--feels like a whole new novel!

In 2006, I finally published my first picture book, Muti's Necklace, the Oldest Story in the World (Houghton Mifflin). It's not the picture book I was working on all those years ago, but it's a story that's very close to me, and I'm thrilled to see it in print.

In 2007, I published a short fiction collection for adults, Anteaters Don't Dream, with the University Press of Mississippi. That led to my visiting Ole Miss as one of the university's John Grisham Visiting Writers, a particular thrill. I got to sit at William Faulkner's desk on that trip and type him a private air letter!

Then last fall, my novel, Waiting for Christopher, was selected as the first Reading Initiative novel at the Mississippi University for Women. I was on campus for a week, did readings and class visits, and got a little rush every time I passed a student or faculty member wearing her "I Read Waiting for Christopher" wristband!

Congratulations on the release of Black Pearls: A Faerie Strand (Houghton Mifflin, 2008)! Could you tell us a little about this new title?

Black Pearls is a collection of dark fairy tales. There are seven pieces in all, each based on an old familiar story, but each told from the viewpoint of a character we heard little from in the original tale. Initially, Houghton Mifflin, the publishers, were going to market it in both adult and YA catalogs, because of the sensual content and the dearth of happily-ever-after endings. But I think they realized that teens are more than ready for dark faerie material.

What was your initial inspiration for writing this book?

I've always loved fairy tales, but realized, when I sat down to read them to my children, that this love was more nostalgia than active allegiance. As an adult, I no longer took fairy tales to bed at night or read them for pleasure.

Novels, you see, had come between me and those old, broadly sketched stories. I craved an idiosyncratic human being, an individual character with whose passions and hurts I could identify. So that was the challenge I set myself in Black Pearls: to find a beating heart behind the old archetypes and symbols; to do what I ask of all my students: go deep.

What was the timeline between spark and publication, and what were the major events along the way?

Several years ago, I read a first draft of one of these stories at a Vermont College residency. Everyone, students and faculty, were so receptive and enthusiastic about the piece, I decided then and there to follow up on it. That's the beauty of sharing writing "experiments" with a community of other writers--you find out what works and what doesn't.

A year later, I had five more stories to show my editor at Houghton, Kate O' Sullivan. She asked me for one more, and she was right. The last tale, a version of the story of Lady Godiva, is a tribute to how storytelling changes us, and I love it as the end note of the collection.

Both Kate and I very much wanted this collection to be illustrated. We both remembered the books of our childhood, and the wonderful illustrators who brought them alive--artists like Arthur Rackham, Edmund Dulac, Kay Nielsen, and Maxfield Parrish.

We also realized that Rebecca Guay, who had done the lush illustrations for my picture book, would be wonderfully suited to these darker, grownup tales. There's a sensuous, romantic lyricism in her work that reminds me of both Rackham and Aubrey Beardsley. We were delighted when she agreed to do the book, and a year later, her gorgeous cover is winning us new readers every day.

What were the challenges (literary, research, psychological, and logistical) in bringing it to life?

In most of my writing, I start with a character and let him or her lead me to their story. In this case, though, I wanted to be true to the source tale, so I had to work backwards--that is from story to character. None of these tales are contemporary; nobody speaks "American" in these stories; all the old symbols and events from the original tales are included. But in most cases, I had to back so far up to find the beginning of my character's story that the source tale is not evident until readers are well into each piece.

My protagonists, you see, are not the main characters from the old stories; those familiar heroes and heroines play secondary roles in Black Pearls. My version of "Snow White," for instance, is told by one of the dwarfs; "Cinderella" is narrated by the prince; "Rapunzel" unfolds from the witch's point of view. As a result, I've had to change a lot more than the title of each story.

That's because the old character's happy ending might mean the new one's total despair. On the other hand, an old character's loss could mean a new one's victory. That tangled web, that interconnection is, I think, one of the themes of the collection.

It's a loop the reader completes, by comparing the familiar version of the fairy tale in her or his head, to the one in the book in front of them.

If you could go back and talk to yourself when you were beginning writer, what advice would you offer?

Ask questions. Ask for help. Believe in your writing enough to grow it. A great way to do this is by joining a writer's group or an MFA program.

No one, at least no one I've ever met, can be objective about his or her own work. You need the support of a community of practice and the feedback from eyes and hearts you trust.

What would you say specifically on the topic of writing faerie tales?

So many students come to me with fantasy pieces or fairy tales they've written, and too often this work is missing humanity. It's heavy on action and plot, but light on that beating heart we all look for in fiction.

When I ask the authors why, they usually reply, "Oh, that's because it's fantasy."

Whoa, Nellie! Fantasy and faerie worlds require the human connection just as much, perhaps more, than other stories. Readers need a bridge between their world and the book's, and the best bridge of all is a fully developed, deeply felt character.

You're a writer who also teaches writing. Could you briefly update us on your teaching history and current endeavors?

Recently, I took several years off from teaching at the Vermont College MFA in Writing for Children and Young Adults program. I spent some of that time dealing with family issues and some teaching in various venues (especially in Mississippi, as you just heard, and at women's workshops in Maine and North Carolina, as well as at a fiction program in Kentucky).

This July, I'm thrilled to be coming home (and that's exactly what it feels like!) to Vermont. I've learned I need the stimulation of a writing community and the excitement of holding my students' newly published books in my hands each year!

I thought I'd write more without such "distractions," but in fact I get more done when others around me are creating and sharing and spreading the good word!

What does teaching teach you?

I've often been down, reached a low point where it seemed to me there was nothing new under the writing sun. And then, out of nowhere, a student's work will knock my socks off, and I'm a believer again.

Plus, there's no denying that teaching gives you the precious opportunity to practice what you preach. How could I ask my student writers to ground their fantasy in the human heart without anchoring mine there as well? That's, essentially, how Black Pearls was born.

What do you wish all of your students would take away from your time together?

The same things I do: encouragement, faith in the work, and the knowledge that you have a story to tell and the tools to tell it with.

How do you balance your writing against the responsibilities of being a published author (contracts, promotion, events, etc.)?

Not very well at all. I simply can't walk and chew bubble gum at the same time. Sometimes I think I love readings and promotional events (the ex-actress in me is a big ham). But then, when I see how little my regional events boost national sales, I decide I'm best advised to focus on writing.

The final word on all this isn't in, but I'm realizing that the best way to maintain balance is not to worry about it; I can do both, or not do both, but I definitely don't help either by fretting and angst.

What do you do when you're not writing or teaching?

I enjoy yoga and meditation--okay, make that, I need yoga and meditation. They're non-negotiable. I also love sketching, scrabble, being outdoors, and it looks like that ham part of me has found a new outlet in a NC-based stand-up venue called The Monti (www.themonti.org).

Most of all, though, I thrive on visits with my two children, who are now grown with kids of their own. I'm always astonished and delighted at how my son and daughter "turned out." Even if they weren't related to me, I'd want to count them among my friends. They and their families keep my life grounded, remind me what really counts.

What can your fans look forward to next?

I'm working on a fantasy novel, whose central character is a witch's daughter. And a second picture book. Neither is finished, but I hope at least one will be a wrap before the year's out.

Oh, and Rebecca Guay and I are talking about turning some or all of the stories in Black Pearls into a graphic novel. I'd love to know what your readers think about this idea. All feedback welcome!