Fifth Annual Novel Writing Retreat at Vermont College of Fine Arts will be March 27 to March 29, 2009. Featuring: author Kathi Appelt; author Elise Broach; and editor Cheryl Klein of Scholastic. Includes: lectures; organized workshops; writing exercises; one-on-one critiques with one of the guest authors; one-on-one critique with guest editor (extra fee); open mike; discussions; room and board. Cost: $450. Registration begins Dec. 1. For more information, contact Sarah Aronson.
Graphic Tales from Colleen Mondor at Bookslut. Peek: "It's a dark slightly subversive delight that never ceased to amaze me. Mostly it's just very, very cool and I do hope that it doesn’t get overlooked in the masses of YA fiction for teen girls."
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And My Skin is Getting Thicker by Allison Winn Scotch from Ask Allison. Peek: "Here's the thing. I can't defend myself. I can't write this reviewer a letter and say, 'Hey, I'm sorry about that. It wasn't carelessness, it was something I truly wasn't aware of. Oh, and by the way, if you're going to critique me for a mistake, can you get the details of the book right in your review too?'"
Here's a book trailer for the much-buzzed YA, Graceling by Kristin Cashore (Harcourt, 2008)(Source: Sarah Miller):
Blurbs I: Getting from Lauren Lise Baratz-Logsted at Red Room. Peek: "A blurb is not the back-jacket description of a book; it's not the inside-flap description of a book. It is a quote from an established author, the purpose of which is to help promote the book at hand." Note: mileage varies, but I expect blurb requests to come from editors or agents, not authors.
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Contract Limbo! Next Stop, the Lake of Fire from Editorial Anonymous. Peek: "An unagented author should be a wee bit more pointed (but still pleasant and professional--try to express polite concern rather than escalating frustration and panic. Frustration and panic are common qualities in authors (and yes, I know sometimes it's the editor's own fault), but they're unattractive qualities)." See also: The Personal 'No-Comment': In Which We Need Some Better Terms for Rejections. Note: don't miss the comments.
How Much Money Does a Writer Make from Laurie Purdie Salas. Peek: "...most children's writers I know who actually make a living off of writing do it by cobbling together an income from many different sources."
Texas Book Festival Photos from Margo Rabb. A first-rate photo report on the event!
Who's on Your Team? by Allison Winn Scotch from Ask Allison. Peek: "...in many ways, I really believe that your success as a writer is largely due to whom you choose to surround yourself with."
Agent Jennifer Rofe of Andrea Brown Literary Agency from Kidlit Central News. Peek: "At ABLA, we're hearing encouraging news from publishers about the state of the industry, and I recently read that juvenile sales are up. However, in terms of selling manuscripts, we are seeing the economy affect advances, and we're seeing more hesitation on the part of editors to take books that are not in stellar shape to acquisitions."
Another Austin Treasure: Children's Book Authors by Lindsey Lane from Good Life Magazine (PDF). Peek: "Austin hosts one of the most vibrant children's book writing communities in the country..." See also Alison Dellenbaugh's additions to the recommendations. Read a Cynsations interview with Lindsey, and learn more about Texas Children's and YA Authors and Illustrators.
read this b4 u publish :) by Max Leone from Publishers Weekly. Peek: "I am of that population segment that is constantly derided as 'not reading anymore,' and is therefore treated by publishing companies as a vast, mysterious demographic that's seemingly impossible to please. Kind of like the way teenage boys think of girls. The reason we read so little in our free time is partially because of the literary choices available to teenagers these days." Note: emphasis here seems to be more on tween than upper YA, and the bottom line here seems to be to "stop parenting and write something fun."
An Interview with Candlewick Editor Jen Yoon by Brian Yansky from Crowe's Nest. Peek: "The one quality that draws me into a manuscript is voice. That trumps everything else for me."
Michelle Moran on How to Promote Your Book from Nathan Bransford - Literary Agent. Peek: "Like galley covers, not all galley print-runs are equal. A lead title might have anywhere from a thousand to ten thousand galleys printed up for every type of reviewer imaginable, while most other novels will have between a hundred and two hundred." Don't miss part two.
More Personally
Thank you to Julie Moody at KUT 90.5 FM for interviewing P. J. Hoover and me about the Austin SCBWI holiday party! Thank you to the whole youth books crew at BookPeople for their hospitality and to RA Tim Crow and his volunteers for all of their hard work! And an extra special thanks to all the members of the community--especially teachers and librarians--who turned out for the celebration! Look for pictures next week!
Candlewick Press has updated its site to include new author bios! Here's mine.
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Due to extraordinary busy-ness, Cynsations will not post tomorrow; however, I'll be back online Monday. Don't miss my NCTE/ALAN conference schedule below!
Events
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NCTE and Assembly on Literature for Adolescents of NCTE (ALAN) Workshop in San Antonio Nov. 24 to Nov. 25. An event I utterly adore for the depth of discussions, sophistication and dedication of the attendees-leadership, and wonderful company of fellow YA authors. Note: NCTE stands for "National Council of Teachers of English," which has a preceding conference. Please stop by the Candlewick booth at 2:30 p.m. Saturday, where I'll be signing ARCs of Eternal (Candlewick, 2009), and look for me at the ALAN Panel - "Gods, Foods, and Tatoos: The Mixed Mythos of Fantasy" on Monday at 2 p.m. ish at the Marriot Rivercenter (Salon E, Third Floor Room). I'll be speaking with Melissa Marr (author interview) and Rick Riordan (author interview).